This massive game clocks in at 250 pages, 1 page front cover, 1 page inside of front cover, 2 pages of ToC,1 page back cover, leaving us with a massive245 pages of content, so let’s take a look!
This book was requested as a prioritized review by one of my patreons. Additionally, said patreon has graciously provided a print copy, thus moving this further up in my reviewing queue. Thank you, Chad!
So, what is Cybergeneration’s 2nd edition? well, you probably know the grand daddy of cyberpunk RPGs, right? No, not Shadowrun, talkin’ bout Cyberpunk 2020, my friends! Anyways, the original cybergeneration was basically a subsystem, whereas this, the 2nd edition, constitutes a stand-alone setting that still maintains compatibility. Got that?
Well, so what about the world? You see, this book’s focus is pretty radically different than that of most other cyberpunk games. What does the genre evoke for you? Probably some images of steel-clad towers, mighty arcologies, horrible megacorps and a fight for survival within the shadows of the moloch of an industrial complex that is grinding all free will, right? Well, this one takes place in 2027 and the big fight between the revolutionaries and counter-culture advocates of the 2020s has been decisively won – much like the Hippie culture and many another counter-/sub-culture movement, the sell-out happened. 2027, the former rebels have sold out and been mostly integrated into corporate structure; parents work 16-hour shifts and the nuclear family’s a thing of the past. In the absence of family ties, a tribal structure has developed among the chronically bored, the desolate and lost kids of the age. Additionally, the presence of a mysterious plague, oftentimes lethal, but just as well survivable, has basically introduced special mutations among the youth, enhancing them beyond the normal – these are the members of the cybergeneration. This book is the chronicle of their tales.
Anyways, we begin unlike any other roleplaying game I have ever witnessed. You read a screen. A mysterious figure named Morgan contacts the juvepunkers and tries to steer them to safety. You give them a map. It shows weird signs. Some of them represent the patrols out to get them. They avoid them as spinners (advanced aerodyne vehicles) rush overhead. They need to get to safety…and once they have, it’s time to choose an allegiance or gang, if you will. Yep. You heard me right. Character creation happens mid-adventure. And after each decision…well, the plot goes on.
The book provides a COLOSSAL amount of options here – a total of 18 such groups, called yogangs, are provided – each featuring notes on how you involved with them, how your relationship with other juvepunks is. Each of these yogangs grants access to a particularly powerful/unique skill that is exclusive for the gang. All right…so what are they? In all brevity: ArcoRunners are the ones who explore the intestines of the grand arcologies – the tunnels, shafts…and use this knowledge appropriately. BeaverBrats are suburbanites, tricksters and infiltration experts. BoardPunks would basically be the cyber-skaters. EcoRaiders would be the radical green terrorists and defenders of nature. FaceDancers are beholden to the idea of a fluid identity and employ technology and acting to impersonate others. Glitterkids are the new money scions of the famous…or famous themselves. GoGangers would be the cyber-equivalent of hardcore bikergangs. GoldenKids are those born with a golden, diamond-encrusted spoon in their mouth…think Dangerous Liaisons. Goths…well, are goths…or what the author thought goths were about. *sigh* They’re not goths, they’re friggin suicidal vampire-posers. I digress.
Guardians would be basically a combo of neighborhood watch/boyscouts and police; MallBrats are blackmarket dealers and know their way around the megamall complexes. MegaViolents think of themselves as heirs of the Vikings and the warrior-cultures, looking for the thrill of deadly combat…Clockwork orange, anyone? Rads are the smart kids that try to employ the methodology of the system to break it from within. Squats are the consummate beggars/scavengers. StreetFighters would be the disciplined martial artist equivalents to the berserker MegaViolents. TinkerTots are juvenile techs and engineers; Tribals eschew hightech and basically can be called badass urban Neo-native Americans. Finally, vidiots are urban guerrilla media & communication sabotage experts. As a whole, these yogangs can be envisioned as the tropes for groups of youths, seen through the lens of cyberpunk and amped up to 11. The respective write-ups are incredibly evocative, providing unique terminology employed by the group (aka, group-exclusive slang) and thus further increase the sense of immersion.
Once the players have reached the safehouse , it’s time for their assessment of the mysterious man (or is he a man?) named Morgan. This would be when you assign your attributes. There are 9 of these: INT (Intelligence), REF (Reflexes), COOL (Cool – resistance to stress/willpower), TECH (Technical ability), LUCK (Luck – these points may be expended to modify die rolls; they regenerate on the next session), ATT (Attractiveness), MOVE (Movement), EMP (Empathy), BODY (Body type; combo of Strength and capability to sustain wounds). You have 50 points and you MUST place 2 in each attribute; you can assign up to 8 points. Assign all 50…and character generation’s almost done.
Cybergeneration knows 12 skills per character (one is the yogang skill) – you assign between 1 and 8 points to these and get 40 points to assign. These skills, however, do NOT include hacking, advanced pharmaceutics or heavy weaponry – they represent basically skills kids could have – and considering that the suggested maximum age for a PC here is 19, you can kinda understand why. It should be noted that the book does feature means to “translate” the skills of the youths into “proper” adult skills, so if your game translates their youthful escapades to more serious, adult themes, you’re all covered. In fact, the book does expect that, sooner or later, the yogangers will pick up some “adult” skills. The seamlessness of the transition-mechanics is pretty impressive.
Now I’ve already hinted at the quasi-sentient Carbon Plague; this is where the X-men comparison comes in: There are 5 default mutations the plague may cause in adolescents (and no, as written, you have no control over as what you end up): Tinmen become pretty much living cyborgs without the hassle of humanity. Alchemists contain nanites and may break down and reassemble things they touch. Wizards are basically the equivalent of Otaku in Shadowrun -they understand binary fluently, conjure up virtuality icons by just *thinking* about them, etc. And yes, you may learn to make familiars, independent AI programs. Scanners let you see moods of others and take advantage of this, being basically human lie-detectors/thought-readers, while finally, Bolters can fire quasi-wires – basically, they are living tasers and may recharge easily, shock others…and no, before you ask, you can’t use them as grappling hooks. The rules provided are concise and detailed, with noemnclature definitions accompanying the well-crafted fluff. Using a lot of skills will net you IP – Improvement Pints at the referee’s discretion. You use these to increase your skills, though not all skills cost the same IP to improve. Learning proper edgerunner skills, obviously, is tougher for yuvegangers.
Your starting equipment is what you purchase at the mall, where massive two-page spreads not only provide the rules, but also the visuals…with the exception of the nice artwork of a pizza place. You buy blackmarket guns. Blackmarket’s the emphasis, hence only an artwork of yuvegangers eating pizza. Amazing and retains the internal consistency.
All right, so how do skill-checks work? You take 1d10, add your attribute and if you roll equal or higher the DC, you succeed. 10s are critical successes, 1s critical fumbles and there are opposed checks, obviously. Stat-checks mean you roll 1d10 and try to stay below your attribute. Simple, right? The book also has its own combat system, dubbed “Saturday Night Skuffle.” It knows two time units, turns and rounds: Turns take 10 seconds, rounds 3. One turn contains 3 rounds. At the start of each round, one player rolls 1d10. The Referee rolls for the opposition. On a tie, the players go first. Players then decide on order or go by the highest REF-stat. You may wait for an action, but only ONCE per turn. (An optional rule lets you delay two actions thus, though the second is penalized.) One round equals movement based on your MOVE stat. Line of sight is called “Facing”. If you fire at a foe, you total REF, your skill, weapon accuracy (WA) and 1d10 – if the result exceeds the difficulty number of the shot, you hit. You may attempt to dodge on your turn, increasing said difficulty number. Auto is really lethal, just fyi: For each point over the difficulty number, one bullet hits the target. Genius guns require no skill, but have a percentile chance to hit, though scramblers etc. may modify that. Microwavers, EMP guns and cap lasers work similarly simple.
Melee works as follows: Total REF, skill, WA, add 1d10 and compare it to the defender’s REF + Skill + WA +1d10. When attacking edgerunners, yogangers halve their skills, though -proper training hard to replace. Weapons are categorized in damage classes and hits reduce BODY; at -4, you’re dead. The higher you roll, the more damage you’ll cause – just compare to the table and there you go. The book covers falling damage, poisons and armor has 2 values: AR (armor rating) and EV (encumbrance value) – EV is subtracted from your REF; AR reduces the damage incurred by its value. Simple, clean and easy to use. Nice, btw.: You may speed up combat by rolling different-colored dice. I tried it. It works perfectly.
Now, obviously, the net is yet another crucial aspect of any cyberpunk scenario – and thus, both wizards and regular licensing is covered. The level in which the like is defined is very concise: AIM Overwatch may take an interest in you any time and programs come with a massive list. Cyberdeck stats and everything in that regard is pretty easy. Even dataforts and combat is similarly simple – simpler in fact, than non-net altercations. The presence of Virtuality, i.e. web/reality-overlap, also means that you have an easy means of adding yet another dimension to the proceedings.
So, character generation’s done; the rules are covered…and now, we’ll contemplate crucial takes on the adolescent themes; indeed, the book takes some serious time to talk about the mentality of the yuvegangers: Yuvegangers don’t do things for money; at this time, idealism runs high and firepower will not solve anything. Let’s talk about the elephant in the room: Yes, sex may be on the minds of the adolescents and adults RPing this may be awkward…but at the same time, it is a great plot-element and the book takes on the theme in a mature manner – much like X-men, the problems by e.g. the Carbon Disease and romantic involvement between people with abilities can make for a variety of unique narrative twists. Theme-wise, this is less Bladerunner, and more Streets of Fire – drugs, treachery, the leitmotifs of the yogangs and the option to join the revolution, there is a ton of stories to pursue.
The book also featured a ton of information on the timeline of the ISA, its structure, life in corporate zone America and details of the corps with their equipment and resources. The book also features one massive city – Night City, fully mapped, for your immediate use and provides the stats of edgerunner legends/mentors like Alt Cunningham, Mister John Silverhand and Morgan Blackhand.
The aforementioned adult skills are fully depicted (no need to flip books) and an easy life path generator helps speed up the process. Obviously, though, we do need more than that, particularly the referee: Hence, the final chapter of the book depicts the bad guys – their deadly cyberware; the nasty and not-so nasty organizations in 2027. The book e.g. depicts the plague-survivor-alliance, who may be helpful for the victims of the Carbon Plague, sure…but their mindset also allowed AIDS II to spread and while they are good, they may well require the help of the yuvegangers…or do more harm than good. Of course, more straight villainous organizations can be found as well. Moreover, the book features different sample NPC-stats, as well as a selection of named NPCs for your perusal.
Finally, the book does feature conversion notes from Cyberpunk 2020’s base rules.
Editing and formatting are top-notch and professional, I noticed no significant glitches in either formal or rules-language criteria. Layout adheres to a nice two-column b/w-standard and the book features a ton of great, original b/w-artwork. The pdf does have one seriously annoying issue: The bookmarks do not work and are scrambled – the handful of them that are here, that is. A book of this size NEEDS proper, nested bookmarks. If you can get your hands on the softcover, it may not be the most perfectly made of books, being softcover, but at least my copy is significantly more useful as a dead tree. So yeah, if you can get it, get dead tree or have the pdf printed and bound.
The team of authors Mike Pondsmith, Edward Bolme, David Ackerman, Eric Heisserer, Wade Racine, Karl Wu, Tristan Heydt, James Milligan, Steve Sabram, Craig Sheeley and Benjamin Wright have delivered something I would have never, ever expected.
Heck, I’m German. There is some truth to the cliché that cyberpunk’s incredibly popular around here and the one game I have more experience as a player than as a GM/Referee, it’s Shadowrun. I’m also pretty big on Cyberpunk 2020…and I had never even HEARD about this book. Without Chad Middleton getting me this book and telling me to review it, I would have never even looked for it. I would have been poorer off for it. This book is remarkable for 2 things: Number 1, this book features pretty much one of the most amazing, immersive means of character generation I have seen in any roleplaying game; swift, creative and immersive, the experience of running this for the first time is pretty amazing.
Secondly, and more importantly, this book provides an aesthetic I have frankly never seen before. An honest jamais-vu-experience. When properly run, this is something I would have considered to be a contradictio in adjecto: Light-hearted cyberpunk. Instead of the doom and gloom noir aesthetics, this can be pretty much a futuristic take on the “Lausbubengeschichten”, i.e. the tales of the hijinx of adolescents, as they outsmart and outwit the establishment, the adults. Think of a possible theme that of Emil i Lönneberga or Tom Sawyer crossed with Home Alone and cyberpunk aesthetics. Of course, more serious themes can similarly be used, spliced in; as the characters progress, some may the theme and style mature.
In fact, if there is one regret I have regarding this book, then that I didn’t have this when I was a kid/adolescent myself. Cyberpunk’s grim and gritty themes may not be 100% amazing for kids…but this can be run as kid-friendly…like e.g. the animated X-men cartoon with a cyberpunk-coat. The range of themes you can take from these cartoons and comics, combined with the whole cyberpunk cosmos ends up with a vast diversity of available tropes. In the end, it can generate a stark and amazing blending of dystopian cyberpunk and more light-hearted themes. What should not work, ultimately and against all possibilities, does work and generates perhaps one of the coolest coming-of-age narratives you can wish for.
This is a hidden gem if there ever was one; the book, frankly, should be much more widely known, more popular. Cybergeneration 2027, frankly, is one of the books that made me really appreciate being a reviewer. My final verdict will clock in at 5 stars + seal of approval – if you like cyberpunk, please check this out and if you have kids/adolescents intrigued in scifi or cyberpunk aesthetics, this will be a perfect way to introduce them to the game and slowly increase the maturity factor as they age! This may well be the first coming-of-age-roleplaying game.
You can get this damn cool rules-book/setting here on OBS!
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- Stephen Sabram