Castle Falkenstein

Castle Falkenstein

This massive RPG clocks in at 226 pages, 1 page front cover, 1 page back cover, 1 page inside of front cover, 2 pages of editorial/ToC, leaving us with 221 pages of content, so let’s take a look!


So, what is Castle Falkenstein? In short, it is one diceless pioneer of the pioneers of both Neo-Victorianism and steampunk-aesthetics. The year if 1870 in an allotopia of our own world and it, unlike the literary genres, does not necessarily take a grim or even dark approach to the era: Instead, it very much embraces a fantastic glorification of the good, high life or the upstanding, virtuous epitome of the age of enlightenment before the cynicism and disillusion of fin de siècle and modernism set in.


Castle Falkenstein’s take on a fantastic, steampunk world does assume the existence of dragons, faerie lords and an enlightened New Europa with an economy driven by steam and magic. PCs are called dramatic characters and the game, being diceless, is a relatively narrative-driven experience. Instead of dice, Castle Falkenstein employs cards. The system, as a whole, is very concise to the minutest detail – why no dice? Gentlemen and ladies use cards, not proletarian dice, obviously! So, if you expect to play the plight of the common man, then this will not necessarily deliver; instead, the focus of this system lies in depicting the gentleman scholar; the daring lady, the fey lord, where swords and weaponry clash in the name of high romance, a fantastic iteration of Jane Austen, as seen through Midsummer Night’s Dream.


This emphasis of clean cut heroes and villains is represented in the book, for you are asked during character creation if you’re good or evil. No neutrality, no shades of gray; this is about absolutes. Character sheets are small notebooks, intended to be filled out by the characters as they explore the fantastic world and a generous list of questions allows you to further and more clearly define the character you are creating.


Castel Falkenstein, as a stand-alone, features a total of 20 abilities – you choose skills that have ratings; one of these will be “Great”, four will be “Good” and one “Poor” – all other skills remain at the rating “Average”. These ratings basically double as a kind of bonus. To determine success of an action, you draw a card from a standard deck (you only need two of those to play) and add your rating. Simple, right?


Well, let’s talk a second about the deck: The suite determines the type of challenge the card can be used for: Spades cover social challenges, also those pertaining to status; Hearts deals with emotional challenges (so basically empathy, sanity, relating, etc.); Diamonds are used for intellectual/scientific challenges and Clubs are used for physical challenges. Playing an appropriate card allows you to add the face card value to the respective challenge. When using a wrong suite for the task, you only add 1. If you e.g. tried to understand a complex engine about to blow and played a hearts-card, you’d only add +1. If you played a 6 of diamonds, you’d add +6 instead! So make sure you play your cards right!


As an aside, this system results in players, quite naturally, oscillating between the various types of skills: You will not find the traditional class-skill-dispersal in the game: Soldiers will use social skills, ladies will engage in physical pursuits, etc. – as an aside here: The lamentable sexism and unpleasant stance towards the fair sex in our historical Victorian age does not extend to the reality of Castle Falkenstein, explaining a more enlightened stance towards women as the logical result of fey ladies et al.


Back to cards: Face cards also have values assigned: Jacks clock in at 11 and every step beyond that adds +1 to the value, with aces trumping kings at 14 points and jokers delivering a whopping 15 points. Castel Falkenstein recognizes 5 levels of skill success: Fumbles happen when you have half or less of the required number; failures denote less than the required number. Partial success means you beat the number; full success when you exceed the target number by half or more and high successes exceed the target number required by double. Each player only holds 4 cards and the same holds true for the Host, the term employed for the GM…and all draw from the same deck.


Sorcery is working in a similar fashion and makes use of the second deck, but the suite in question here determines the type of magical effect the cards resonate with. Drawing more cards takes time to gather up energy and playing a wrong type of card can “taint” the respective final manifestation of the effect in question.


If that sounds opaque, let’s take a look at an example, shall we?


All sorcerers belong to a Sorcerous Order. You have access to the Lore of that order. Unlike many fantasy systems, you don’t have set spells that you memorize and then cast. Spells involve research and the cost is highly variable depending on a varied array of parameters, and you can only start gathering energy to cast a spell once you’ve determined these parameters.


Let’s say you are part of the Illuminated Brotherhood and wish to use their Lore Simple Geas to exert control over someone. It has a base Thaumic Energy Requirement of 4. You would need to work out your Definitions, so Duration – how long do you want them to be under your control, the Range you’d need, how many people you’d want to affect, how well you know them, etc.
In other words, with the same Lore, you could craft a spell that would enspell your significant other for a few seconds to engage in some nasty household chore, or one that would let you exert a massive amount of control over a vast array of strangers, forming them into a temporary army – but they would have wildly different Energy requirements. With the first of those, let’s say you want it to last for 5 minutes, that adds 2; simple adds 1; touch adds 1; single subject affected adds 1; subject is mortal adds 1; know subject well adds 1. This results in a total of 11, from which we’d subtract your Good sorcery of 6 to bring us back down to 5. After determining this value, you’d begin drawing cards from the sorcery deck. The Aspect of this spell is Hearts. Any heart card you draw adds its value, any other CAN add 1 point of “unaligned energy”, but using unaligned energy will add harmonic effects. You could also “release” an unaligned card (rules-language for returning it to the deck) and redraw, so if you are prepared to take more time, you can gather purely aligned energy – but if you are in a hurry, you might have to a take a risk with harmonics and the taint they add to the manifestation.


Combat resolution, ultimately, is working in a similar manner, with the amount of damage dealt being based on the weapon as well as the level of success of the respective attack; If you expect to take more than 3-4 good hits, then this will not be perfect for you; this is very much an allotopia, which means that characters, ultimately, are fragile. However, at the same time, there probably won’t be too much PC-death: Much like the romanticized novels and literature, killing blows need to be declared. This, btw., also brings me to the subject of gender: If you’re not playing a heroic woman and rather a lady, you’ll rather be disabled by swooning, intense social confrontation, etc. – some of my female friends enjoyed this, while others…well, didn’t, though these still had the chance to play other characters.


Anyways, there also would be the duel-engine, which works radically different from regular combat: The two characters have a hand of six cards: Two black, two red, two faces. Faces represent rests, black cards defense and red card offense, with the Fencing skill determining how often a character must rest after an exchange. A defense card automatically negates an offense card; an offense card unopposed by a defense card results in a hit. The pdf provides concise rules for the dueling experience, including weapons-changes, movements, etc. – interesting: When you trick foes into defending while you are resting, you have feinted them. While it may look cumbersome to have special dueling rules and while that means that other PCs will be waiting, it is an interesting fact that you can pretty easily live action simulate a duel fought via the card system, which can make for a truly interesting experience.


Speaking of which: The experience of reading and playing Castle Falkenstein are pretty different from what you usually receive. For one, the book’s narrative framework follows Tom Olam, a computer game designer who was magickally abducted to the reality of Castle Falkenstein; as such, we read about how DaVinci’s devices changed the worlds, how accords with the fey were made (you can actually play fey and there is a TON of fey influence here!), how King Ludwig did not lose the battle of Königgrätz and how that affects e.g. the way in which Bismarck is seen.


The latter aspects are particularly hilarious to me: I live about 2.5 hours from Schloss Neuschwanstein, grew up with tales of the mad king and in history classes, we learned, in detail, how Bismarck pretty much was a voice of pragmatic reason in an insane German political landscape. The attention to detail given to this magical, steampunk alternative to our own world is frankly impressive: From proper ways of addressing people of different social orders to dressing the part and even proper nomenclature, the book provides a level of detail and logical cohesion that is amazing to just soak up: When e.g. dashing Marianne first opens her corset when getting ready to duel, you can almost see the lighter, more fantastic pre-Penny Dreadful steampunk age of enlightenment and sophistication come to light. It’s like reading Ford Madox Ford’s “The Good Soldier” minus all the cynicism and breakdowns and the inevitable all turning sour. Castle Falkenstein is fantastic in the truest sense, with Bayern fielding its own aeronavy, uniforms with their own designs and the influence of the dwarven people being just as pronounced as that of the fey.


It should also be noted that a short 3-page introduction scenario is included, set in, where else, Vienna. It is very hard to properly encapsulate the experience of reading Castle Falkenstein within the confines of a review, mainly because the less tangible components of this game are what makes it shine – the attention to detail, the imagination and love that went into the details of this book.



Editing and formatting are top-notch, I noticed no significant glitches. Layout is interesting: The first half of the book, the novel-section depicting the escapades of Tom Olan, is depicted in full-color, with artworks that make use of the aesthetics of period-piece artworks. The second half of the book is in b/w, contains the rules-information and is more aesthetically conservative. The electronic version of the book has a HUGE downside: The lack of bookmarks makes it basically impossible to efficiently use at the table: Get a print copy or print the pdf, otherwise you’ll be in for a world of pain, particularly regarding the sorcery rules, at least in the beginning.


Michael Alyn Pondsmith’s Castle Falkenstein is considered to be a classic of the steampunk genre and there is ample reason for that status. Unlike 90% of steampunk books and supplements I’ve read, it is not a loveless pastiche. It is not a book based on the futile attempts of making the reader feel clever for remembering some vague, hazy aspect of college-level history in another context. Instead, it is an exercise in expert world-crafting, where the very rules-system enforces, rather than detracts, from the immersion. The focus on high romance and the fantastic lend an angle of innocence to the whole proceedings that is downright refreshing: Instead of the grimdark sense of cataclysms we know from the fin-de-siècle and the 1920s, the emphasis here, unlike any gaslight-era setting I know of, lies on an impossible age of magical realism and chivalry in a very believable context. This does not mean that this is necessarily “unrealistic” or too b/w, mind you – instead, picture it a bit like the Victorian age equivalent of Prince Valiant comics (as an aside: The guy’s called “Eisenherz” – literally “Ironheart” in German…much cooler!): I.e. you have a very resonant historic/mythological resonance, suffused with alternate concepts, but still very much and deeply rooted within the realities and possibilities of our own world.


In short: Castle Falkenstein is a phenomenal, captivating campaign setting and one that can depict e.g. comedies of manners just as easily as flying ship combats. This is, one of the very best steampunk settings/worlds I have ever read, regardless of whether you look at RPGs or at literature. Well, perhaps, you’d have to take away the “punk” aspect. Castle Falkenstein is neither gritty, nor grimy – it is a game of sophistication, manners, and as such, an exquisite delight – so steamsophistication would make for an more adept, if perhaps less catchy description.


That being said, the book, as amazing as it is, does have a couple of rough spots that a new edition, should we ever get to see one (which I ardently hope!), should clean up. The worst of the offenders being, frankly, organization. Castle Falkenstein, when you first open it, is a daunting proposal, intimidating even. Unlike e.g. Lords of Gossamer & Shadow and other diceless games I have played, the presentation of the rules frankly feels at times a bit obtuse: When you try to find out about e.g. rules for duels and first get an explanation of how everything works in a social context and in-game reality, that generally helps the sense of immersion, but locating the actual rules governing something can still be an exercise in frustration. Much like the often meandering prose of the age, Castle Falkenstein sometimes gets bogged down in evocative and captivating tidbits that inspire, yes, but that also detract from the playability of the game, in particular in the beginning.


My first session with the game was pretty problematic and, considering the high standards I have as a GM/Host, for my own ambitions, an unmitigated failure. This was mainly due to my own shortcomings, though: In order to play this game properly, I’d strongly suggest to have every player read this book. And make notes. It does not suffice to simply read it and guide the players through the process of character creation, particularly when sorcery’s involved. In short: If your whole group is not prepared properly, the game can come to a grinding halt. So yes, rules-presentation is somewhat obtuse.


At the same time, once you *DO* have learned the rules (and they’re not that hard…), the game offers an absolutely delightful playing experience that lends itself perfectly for dressing up, speaking in character and using all those hundreds of tidbits and knowledge you have gained from literature and history: Whether it’s small facts from the lives of aristocracy, customs, or the tales of Jules Verne (yep, all historic personalities…did you know that Moriarty is sometimes in cahoots with Phileas Fogg?), from high adventure to comedies of manners and all in between, Castle Falkenstein delivers in a manner that is both heartwarming and amazing.


It is not the easiest game to learn; its lack of bookmarks sucks big time; but still, I can’t help but love this world. It has so much heart and is so bereft of cynicism, so wondrous, that it makes for a fantastic experience to play. If you’re lucky enough to have players that wholeheartedly embrace the aspect of ROLEplaying, that have the notion, knowledge and inclination of making evocative characters, doing their research, etc., then this is phenomenal. At the same time, Castle Falkenstein’s appeal, more so than many an RPG’s, is in my opinion based on the willingness and capability of immersing yourself and the group within its setting: If you have one player who just can’t stay in character, who continuously blurts forth references to modern day life, who just can’t get the appellations etc. right, you can make him a character from our world, stranded here…sure. But at least as far as I’m concerned, that somewhat detracts from the appeal of the world. Perhaps I am too elitist, but I can’t picture anything more jarring. That is not to say *you* can’t play like this, mind you: Frankly, you could go full-blown Bill & Ted with this, though personally, I think that would detract from the lovingly-crafted blending of historicity and fabulation.


How to rate this? Well, if you want to use the electronic version on a device…don’t. 3.5 stars, at best. A core book sans bookmarks? Unacceptable and only good for being printed out. If you *DO* print it out, it becomes a whole different beast, though: Once you get past the somewhat rough start, once everyone has learned the rules and read the whole book (seriously recommended here!), then the game is absolutely amazing, evocative, captivating…a pure joy. On a formal level, the needlessly meandering and somewhat obtuse presentation of the rules is a big hurdle for the book, one that makes it suitable primarily for groups with some roleplaying experience already under their belt.


In the end, it is due to these structural hiccups and the lack of bookmarks that I cannot rate this book as highly as I’d like to – one of the two could be forgiven, but both, in conjunction, generate an overall unnecessary bump when learning the system. That being said, while my review cannot exceed a rating of 4 stars for this reason, Castle Falkenstein proves to be an exceedingly rewarding reading and playing experience that rewards those who manage to bypass the initial bump…and as such, it does receive my seal of approval. If you are looking for high adventure and chivalry and want a roleplaying system with a sensibility that rewards honor, virtue, etc. – this is exactly what you’ve been looking for!


You can get this amazing book (also in PoD!) here on OBS!


Endzeitgeist out.




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